Teresa Acevedo
dance - theater - performance
ZERO TO INFINITY
On tour - June 2024
Teresa Acevedo is part as a performer of the new co-creation by Agata Maszkiewicz and the collective Superamas Zero to infinity which had premiere last June 2022. In June 2024, this show will be presented in Montataire (FR). Check out last dates in 2023 :
May 12 - festival ITAK / Manège Maubeuge scène nationale ( FR )
May 25, 26 & 27 - BIT Teatergarasjen Bergen ( NO )
June 16 & 17 - Szene Salzburg ( AU )
June 30 - festival Almost Summer/ BUDA Kunstencentrum ( BE )
July 28 - Angoulême ( FR )
August 26 - Domaine de Langardie, Dordogne ( FR )
September 23 et 24 - Berlin ( DE )
At our scale we see nothing of the world of atoms or of stars. We are too small or too big, deeply adapted to certain physical conditions of existence. But what if we stopped for a moment? What if we took the time to observe the sky, to taste the night, to listen, to feel the space that surrounds us...
Through a nocturnal meeting/show in a garden, Zero to Infinity aims to place the human body, its scale and its perceptive organs at the centre of a network of relationships and to experience the vertigo of our human condition.
A création by : Agata Maszkiewicz & Superamas
Choreograph y: Agata Maszkiewicz with Teresa Acevedo
Performance : Agata Maszkiewicz, Teresa Acevedo, Superamas
Music : Antoine Tirmarche
Creation of sound objects : Octave Courtin, Superamas
Light design : Henri Emmanuel Doublier, Superamas
Costumes : Sofie Durnez
© Superamas
SOU(S)RIRES
Performance in situ by Collectif V.I.D.D.A
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What is hidden, drawn, outlined, expressed, when we laugh? What happens in the body when we give or receive a smile? What happens when we release our voices into an empty space? Our voice is our imprint, our breath is a smile from the body into space. We smile with our face, with our organs, with our bones, we smile with everything that makes us up.
S O U ( S ) R I R E S is an in-situ performance which proposes a range of gestures and free and open vocalizations which circulate in a permanent back and forth between the voice (breath, sound, vibration) and the movement (choreographic, architectural). It is a space conducive to listening that invites us to awaken our senses, to hear ourselves and to be heard.
Choreography and performance : Paulina Ruiz Carballido, Jean-Baptiste Fave and Teresa Acevedo
Sound creation : Jean-Baptiste Fave
Duration : 30 min
Production : Collectif V.I.D.D.A
With the support of : Le 6b | Lieu de création et de diffusion à Saint-Denis
* Presentation of the work in progress on April 1, 2023 at the Festival 6B scènes
WIDENING
Nomade research project 2022 - 2023
From August 8 to 12, 2022, Teresa Acevedo participates in Casa Abierta Oaxaca , Mexico, to share the first tracks of her new choreographic and vocal research project WIDENING.
From January 16 to 28, 2023, she continued her research at BUDA Kunstencentrum, Kortrijk (BE) with the collaboration of three multi-talented artists: Amélie Marneffe, Nanayadji KaGara and Paulina Ruiz Carballido.
Following this residency, Teresa was able to share the progress of her choreographic and vocal practices during 4 workshops in different cities of Mexico in February-March 2023: Casa Verde ( Querétaro), NECIA ( Oaxaca ), SOMA centro creativo ( Xalapa ) and Arbol Torcido ( Puebla ).
WIDENING ( widening ) was born out of a strong desire to share my personal choreo-o-vocal practices with other artists and develop tools to approach movement and voice work. This new project is also based on the desire to de-stage dance, to get it out of the system of creation-production-dissemination of shows, by allowing encounters and exchanges with other artists, other communities , other cultures. After these last years devoted to supporting and accompanying the works of other choreographers, I wish to reconnect with where I am today as a woman, choreographic artist and citizen.
A project by Teresa Acevedo in collaboration with Amélie Marneffe, Nanyadji KaGara and Paulina Ruiz Carballido.
With the complicity of Anna Muchin (SILEX, Brussels).
With the support of Biennale Casa Abierta / Oaxaca, Mexico and BUDA Kunstencentrum / Kortrijk, Belgium.